Specifically it caters way to much to Inkers, Colorists, Pencilers, and Letterers. Could you imagine if the industry catered this much to script writers? We need some kind of medium, where it's the writer that's King and Ace, and everyone else has to answer to them.

It's the writer that makes your story happen, not the colorists.

For those who don't know how I work, I work with a hybrid script format: full comic script for non dialogue scenes where panel layout is important, stageplay format for when dialogue is the focus, and not panels. And screenplay format for when neither exact panel layout or dialogue is the focus, and more the mood.

People that work on DC / Marvel stuff may not like that, but that's just how I work.

I had mostly written fiction, and managed to amass about 200,000 words before deciding I thought I'd try my hand at getting back into comics. What I'm not sure of is how well charcoal will carry over into the graphic novel format. I finally started experimenting with Caligraphy Pens, and it makes a difference in your stroke style when using ink.

So I'm going to try my hand at blending Charcoal, Blue Mechanical Pencil, and Calligraphy Pen. My style lens toward the dark, so I may end up needing to tone down my content.

Also finally started learning Japanese, which ironically is actually easier than French.